Tom Monteith * F 2006, F 9-250, ASL 108
Office hours TH 4-530 & F 3-430 by appt. (please use email), ASL 105
email: tmonteith@csus.edu
course web pages: http://classes.al.csus.edu/monteith/
Prerequisite: ART 20 (Beginning Drawing) or equivalent. Course open to art majors only. Class may be taken for credit twice.
LAB FEE $40.00: payment may be made at the Cashier's office in Lassen Hall, or you may put your check and fee form in an envelope and drop it in the box located next to the cashier's office (the box is located immediately to your right after passing through the second set of entry doors to Lassen Hall.) If you choose to pay at the cashier, please leave the fee forms with the cashier (the cashier's office will return the fee forms to the Art Department by campus mail). If fees are not paid by census date (October 2), a hold will be put on your academic records.
Add/Drop Policy: refer to current Class Schedule for add/drop procedures.
Course Description: Development of painting skills with emphasis on the human figure. Students will work primarily from professional models. In addition, still life and outside landscapes may be assigned. Emphasis will be on direct observation and use of color to make form. Assignments given to develop visual discernment and form-making skills. Compositional problem-solving will be emphasized, as well as critical analysis based on the visual decisions made in the work. Slides presented as needed to supplement firsthand experience of making paintings. Possible field trip. Class will require out-of-class preparation time and possible homework assignments. Possible exhibition of students' work at the end of the semester (Week 15). Participation will be required (preparation/hanging/reception/etc.).
Course Objectives: Become familiar with the human form. Develop visual compositional and technical skills, together with conceptual understanding. Direct visual decision-making (responding directly to the eye). Compose and structure a work using color, with primary consideration to space, three-dimensional form and volume, illumination and atmosphere. Discern and account for observed relationships of hue and value, temperature and quality of light, etc. Making many paintings (as a means to achieving greater fluency, independence and confidence in visual decision-making).
Attendance: Regular attendance is required. No make-up available. Sign attendance sheet for each class. Sign and date all work (on back of painting). Final grade drops 1 grade with 2 absences. 3 absences = 2 grade drop, etc. Arriving late and/or leaving early is noted and can affect the final course grade. Expect to work in-class the entire allotted studio-time each week.
Evaluation: Portfolio of course work to be maintained in good condition. Work will be discussed/critiqued regularly throughout the semester. Individual/small group portfolio review may occur at mid-semester. A final portfolio review will occur at the end of the semester.
Course grade to be determined by quantity and quality of class work (level/quality of form-making, discernment & use of color, follow-through, consistency in application of discussed techniques), as well as participation in discussion and critiques.
Text: None required. Slides/reproductions to be presented as needed. Use of the library encouraged. Some books may be placed on reserve for reference.
SUPPLIES: ( up )
Paper: 18 x 24" white drawing paper. (paper (in rolls) at ASL is available)
paper canvas (rolls) and/or heavy drawing paper (available in rolls): 36" minimum.
Paint: gloss latex enamel, quart cans (NOT oil enamel)
colors: yellow and blue (*note: blue should be a dark deep blue. Avoid lighter cerulean blues unless as a supplement to the other dark blue)(can supplement with red, black, white)
acrylic paints: pint jars (tubes convenient for outdoor work)
- yellow (cadmium yellow hue/ arylide yellow GX)
- red (cadmium red hue/ naphthol AS-D)[cad. red hue= naphthol red + arylide yel.]
- blue (ultramarine and phthalo (or cerulean))
- white (titanium white)
- black (mars or ivory black)
possible supplements: *orange (cadmium orange hue/ hansa), *green (permanent green), *alizarin crimson, *burnt sienna, *dioxazine purple
(optional: the above colors in gloss latex enamel, quart cans. White option: flat white latex can be used (gal); also can be used in lieu of gesso)
(oils option negotiable in some circumstances--see me)
optional: watercolor: 7.5 or 21 ml. tubes. Watercolor paper or gessoed canvas.
optional: paint tints: tubes.
Melamine-coated wood panels, watercolor paper or canvas
Brushes: for latex enamel/acrylic: inexpensive housepainter's flat natural-bristle brushes (1" and 2")
and/or the equivalent sizes in acrylic "flats" (DO NOT get thick synthetic-bristle housepainter brushes); acrylic/oil bristle brushes (ie. NOT watercolor brushes), round #6 and "bright" (like "flats", but shorter) #10, and 2" flat bristle brushes. (can supplement with other sizes)
for watercolor: watercolor brushes, round, large #12 and 1" flat.
Misc.:
needed for latex enamel/diluted ac rylic: 4"-WIDE MINIMUM plastic containers with lids
water container: plastic bucket.
(plastic jar with lid useful for outdoor work)
paint can opener/ screwdriver
palette: disposable paper/cardboard palette, glass or plexiglass, 18x24" minimum
(permanent or disposable, the palette must be LARGE, FLAT unobstructed surface)
(NO dimpled watercolor palettes, etc .)(scraper / razor blades (for glass/plexiglass palette))
outdoor work: drawing board/paper support 24x36" or larger (ie. a piece of cardboard to paint on), stiff piece of cardboard (etc.) for palette, cushion to sit on, small clips to hold paper down.
portable container for supplies: backpack (useful for outdoor work), toolbox, etc.
paper towels, rags, kleenex tissue
scissors (to cut canvas, large sheets of drawing paper into smaller pieces, etc.)
painting knife (needed with pint jars, painting tool, paint mixing)
utility knife (to cut cardboard)(optional)
masking tape, 2-inch width
gesso, 1 gal. + housepainter's flat bristle brush, 3" min. & large container for mixing (optional).
(oils: odorless mineral spirits, stand oil, damar varnish, etc.; acrylic: gloss medium, etc)
*for stretching canvas: staple gun, staples (5/16"), canvas pliers, screwdriver, pliers, hammer, wood/hardware to construct stretchers, wood glue, sandpaper, canvas: unprimed cotton duck canvas (#12 (preferable) or #10)
--Lava soap or hand-cleaner
**wear paint clothes
**other materials may be announced. Possible use of canvases . Use of the shop requires passing a safety test concerning use of power tools, etc. Health and safety issues regarding materials will be discussed.